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Mask by Soyoun Kim

December 10, 2020 @ 7:00 pm - 8:00 pm


“The current Covid-19 pandemic appears to offer the chance to reflect on how we live together and it reminds of the deeply rooted racial discrimination. The absurd syllogistic reasoning prejudge people based on their appearance. The project, Mask, refutes fixed identity based on ethnicity through multiple interpretations of a mask and performing body with a perspective of an Asian-Australian:

A mask is to protect from the spreading of the virus.

: It is to protect from the physical and verbal violence on Asian-looking people with the blame of spreading the virus.

: It is a vulnerability of people who are exposed to discrimination like a weaken immune system.

: It is a disguise of the selfish act with an excuse of survival and uncertainty of the future.

: It is the beautification of whiter and fairer skin to resemble white Westerners within the Eurocentric concept of beauty and superiority.

: It is a superficial representation of a person regardless of inner character.

The unidentifiable blurring face and damaged Instant ID photographs imply the ambiguity of identity with the debate on the veracity of truth on the visual representation of appearances. Mask advocates the equity of the human being, colliding hierarchisation and binary structure of white and non-white people under the notion of humanism.”


You can watch Soyoun Kim (Mask) and Creature Creature (Forever Dance) in conversation with Margot Tanjutco here:

InterNation Renaissance – Soyoun South Korea, self portrait by Soyoun Kim.


As a visual artist and independent curator, Soyoun Kim’s creative practice centres on the notion of identity and humanity in contemporary society. Her work engages with and expands to current issues such as racism, gender discrimination, social inequity and violence through self-performed images that reflect on her own experiences of diverse cultures and crossing borders, as a Korean female immigrant. By facilitating self-portraiture and photographic medium, Soyoun aims to evoke diverse perspectives of cultures and societies in which we inhabit and negate a perception of fixed identities.

Soyoun’s works have been shown in national and international exhibitions and art awards and also through her curatorial projects, including Cadavre Exquis (2015), a collaborative project with the artists of diverse cultural background; Passage to Pusan (2017), which was commissioned by Korean Cultural Centre Sydney; and the solo show, I, there, here (2019) in Melbourne. While she was completing a Master of Arts Management (Distinction) at RMIT University, Soyoun curated the exhibition, Aesthetics of Human Relations (2019) under the RMIT: ART: INTERSECT Curatorial Internship.


Instagram: @soyounfotoarts

Mask by Soyoun Kim is presented as part of Mapping Melbourne 2020-21.

Featured image credit: Mask video still cut, courtesy of Soyoun Kim.




December 10, 2020
7:00 pm - 8:00 pm